The VoiceoverTalent

Nadia Marshall is an award winning professional female voice actor and singer. Nadia’s vocal profile is described as warm, conversational, friendly, genuine, caring, articulate, believable, natural, luxurious, and classy. She is trained in opera, musical theater, and theatre, giving her vocal stamina, a wide vocal range, and a healthy voice.

Nadia is of British and Indian heritage and is an American and British citizen. Growing up in a multi-cultural home and community, she is comfortable speaking in American, British, and Indian accents. She also has two minors in both French and Italian language, as well as training in German, Russian, and Spanish diction and language through her opera training.

Nadia specializes in commercials for TV, radio, and web, corporate narration &
e-learning/training, explainer, whiteboard explainer, and product videos, event narration, character voices for videogames and animation, promo, TV/In-Show narration, museum and audio guides, political voiceover, and more

The Soprano

Nadia Marshall’s shimmering soprano voice and vibrant stage presence make her a dazzling choice for your operatic production, concert, musical theatre show, or private event.

Nadia recently appeared as Gretel in Hansel and Gretel with Peach State Opera. She has delighted audiences as Pillar 1 in A Magic Flute Experience: The Temple with Opera Columbus, as Giannetta in The Elixir of Love with Gulfshore Opera, Mrs. Lovett in Sweeney Todd with Curtain Players, Baroness Elsa Schraeder in The Sound of Music with Butterfly Guild of Nationwide Children’s Hospital, Lily in The Secret Garden with Gallery Players, Adele in Die Fledermaus (The Bat’s Revenge) with Gulfshore Opera, The Ghost of Christmas Past with BARN Opera for the American premiere of Andrew Ager’s A Christmas Carol, Lauretta (cover) in Gianni Schicchi with IVAI, Suor Genovieffa (cover) in Suor Angelica with Vienna Summer Music Festival, Zerlina in Don Giovanni in Vienna Summer Music Festival, La Princesse and La Rossignol in L’enfant et les sortilèges with Hawaii Performing Arts Festival, Laetitia in The Old Maid and the Thief with Chicago Summer Opera, Paquette in Candide with Ohio State University’s Opera & Lyric Theatre, and Valetto in L’incoranazione di Poppea with Florida State University Opera.

On the concert stage, Nadia has been the soprano soloist in Mozart’s Laudate Dominum (cancelled due to Covid-19), Haydn’s Lord Nelson Mass, Haydn’s Harmoniemesse, Handel’s The Messiah with Trinity Seminary at Capital University, and as The Angel in Lauda per la Natività with Gulfshore Opera. She performed Villa-Lobos’ Bachianas Brasilieras no. 5 aria for the 50th anniversary concert for The Music Federation of Greater Naples in 2020 and has recorded various works by composer Andrew Seligson. Nadia was also a featured performer at the Columbus Italian Festival in 2023.

Awards & Honors

Nadia completed her Master’s in Vocal Performance at the Ohio State University, where she also received a Certificate in Singing Health Specialization. She completed her Bachelor’s in Vocal Performance at Florida State University with two minors in French and Italian language.

Anna Sosenko Assist Trust Grant in 2020

Margaret Speaks Vocal Scholarship in 2018

2nd place in the Tuesday Musical Competition in 2018

1st place in the Women in Music Scholarship Competition in 2018

Outstanding Video Game Trailer – Best Voiceover for SOVAS (Society of Voice Arts & Sciences) (2024)

Demo Reels - Best Performance - Documentary/TV Narration for OneVoice Awards USA (2023)

Accents

American (Gen American)

English (RP British, British English)

English Neutral

Mid-Atlantic/Trans-Atlantic

Indian (Indian English, British Indian, Hinglish)

Studio Equipment

Sennheiser MKH 416

Apollo Solo USB

Adobe Audition

Source Connect 4 and 3.8

Dell XPS 14

Availability

24 hours or less turnaround
Source Connect 4 and 3.8, ipDTL, Zoom, Google Meet, Microsoft Teams, Cleanfeed
All files mp3, wav, or other upon request

Julie Ann Sipos Author, Horrible Women, Wonderful Girls

“Nadia Marshall didn’t just narrate Horrible Women, Wonderful Girls: A Jaycee Grayson Novel. She became one with the heroine of the flagship title for our woman-owned micro-press.
We chose Nadia from over 80 actresses—not just for her vocal range and raw talent, but for her rare ability to embody contradiction: to find humor without reaching, heartbreak without pushing, and strength inside vulnerability. Across 21 chapters, Nadia gave us a performance that’s layered, sharp, broken, and funny—just like Jaycee herself. Some unforgettable moments: Her restrained handling of grief? Quietly devastating, expressed not only in words but also in song. “I Like You: Hey Abel” is a character ballad so emotionally raw and delicately delivered, it felt like someone trying to speak truth for the first time. “Anastasia’s Theme” is a playful, haunting children’s song performed with the innocence and awkward hope of someone singing a prayer into space. Both original songs appear in the novel, and Nadia’s vocals are so heartfelt and human, we’re hoping to release a single to help promote the audiobook this fall. Even knowing she’s a trained opera singer and tango dancer, she made these performances feel untrained—in the best way. Jaycee sang them, not a performer. A person. Whether voicing deadpan sarcasm with heart and hope, misfiring flirtation altogether, or delivering high-stakes awkwardness with laugh-out-loud comedic timing, Nadia delivered an astonishing lineup of fully-fleshed dialects, characters, and scenes. It’s a fully-fleshed, human-voiced performance—nuanced, instinctive, unforgettable. It’s a performance people won’t just admire—they’ll talk about, in a time when authentic connection carries a greater premium than ever for voice-driven indie debuts.
Horrible Women, Wonderful Girls: A Jaycee Grayson Novel launches this September on Audible, Amazon, and Apple Books. Don’t miss Nadia’s stunning debut as Jaycee Grayson.”

Patrick D. Joyce, author of Strawberry Fields

“Nadia Marshall is a talented voice actor and a true professional. It was a delight to work with her! I hired her to narrate the audiobook version of my novel Strawberry Fields, a young adult thriller set in Prague in 1968, and I’m so glad she was available for the project. Nadia delivered chapters as she finished them and I listened as they came in. I then emailed her with any changes I wanted her to make (always few in number) and she addressed them promptly, making the process smooth, efficient, and painless. As a trained singer, she has an ear for the sound of language, and I believe it made her narration richer. She imbued the text with just the right amount of drama, mystery, and suspense. She captured the personalities of characters in ways that made each one feel distinct and alive, giving them voices that surprised me in how well they matched and even went beyond my own understanding. My text demanded a good ear as well for the large number of non-English words, which I wanted pronounced correctly for the audiobook. Nadia pulled off the challenge with flying colors, researching and pronouncing the words accurately and with aplomb. I highly recommend Nadia!”

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